I’ve recently been producing
lino prints. I have 11 prints like the black and white work shown above, as
well as 8 prints that are in progress as they are being built up gradually with
layers of prints in different colours. I hope to sell these prints at my degree
show to raise money for Rainbow Rabbits, which provides care to previously
neglected/ sick/ very elderly rabbits. The rabbit depicted in the prints,
called Otis, was cared for by Rainbow Rabbits.
Monday, 14 March 2016
Tuesday, 23 February 2016
Priley Riley, An update on my work, February 2016
Since
my last post I have been fortunate enough to visit galleries in England,
Sweden, Denmark and Italy. In particular, I would recommend Denmark’s National
Gallery and Ny Carlsberg Glyptotek, and the Accademia Gallery in Venice, Italy.
In
terms of making artwork, I have mainly focused on producing watercolour
paintings, such as the one shown below of my dad. In addition, I completed my
9000 word/ 58 page dissertation for my degree last month, which discusses
whether art documentation can simultaneously
be considered a form of art through artist self-publishing.
My degree show is in June this year, so I have been
busy producing artwork and doing a considerable amount of research, mainly into
Post-Conceptualism, Hyperrealism and Photorealism, the Renaissance
artists, artists that have won major art competitions, and any other areas of
art that interest and inspire me. At the moment, my plan for the degree show is
to produce and display a variety of drawings, paintings, prints, sculpture,
etc. I aim to provide regular updates on my work for the degree show as it
progresses, and I will also give other areas of my blog an update.
Finally, I am keeping an eye out for further art
competitions to enter.
Saturday, 17 October 2015
Priley Riley, The Ultimate Edible Masterpiece of 2015, October 2015
Last month I entered The Ultimate
Edible Masterpiece of 2015, a competition run by the Art Fund. The idea was to
re-create a famous work of art using food to raise money for galleries and
museums. I chose to make and enter a satsuma version of Michelangelo’s The Creation
of Adam (shown in the photo above). I was really happy to receive a phone call
from the Art Fund, on the 13th of October, to say that this had been
chosen as the winning entry by judges Frances Quinn (Great British Bake Off winner); Rowley Leigh (chef,
restaurateur and journalist); and Jonathan Jones (The Guardian's art critic). I’ve
added some links below to some wonderful articles on the Art Fund competition
so far:
The Art Fund:
The BBC:
The Guardian:
Friday, 11 September 2015
Priley Riley, Update on The Child Sculpture, September 2015
The Child Sculpture was sadly
recently vandalised. The book was found cracked around the hands, suggesting
someone had tried to get the book out of them. I have therefore spent the last
couple of weeks fixing this. I finished work on it today, so The Child
Sculpture will be back outside Carillon Court Shopping Centre once the lacquer
sealing the paint has properly dried. As the photo shows, the book is much
thicker (and stronger) now. Over the last couple of months I have also been working on my dissertation for the
next academic year. It is currently 5000 words
long and is based on artist self-publishing, as I am interested in
self-publishing a book revealing how The Child Sculpture was made.
Sunday, 16 August 2015
Priley Riley, The Child Sculpture, January- July 2015
Shortly after my last post I applied for a commission from Charnwood Borough Council and Quadron to make a public sculpture. This sculpture would celebrate Ladybird Books, which were founded in Loughborough 100 years ago! This commission, sponsored by Serco, was an opportunity available to one Fine Art student at Loughborough University and I was delighted that my proposal was successful in gaining this commission.
My proposed idea was to create a life-size sculpture of a 4 year old child reading a book. I started making the sculpture in January, when I first used a couple of photos of my fiancé aged 4 to study the proportions of a 4 year old. I then constructed an armature (which is like a wire skeleton) and this supported the weight of the child that I then modelled around the armature using clay. Once I was happy with the clay child, I began the casting process, which was a long and quite complex process! I cast the clay child in plaster, making a multi-part plaster waste mould. I then used the plaster moulds to cast resin into and pieced all of the sections back together, resulting in the resin child. Car body filler was then used to make surface corrections before the sculpture was sprayed with primer, allowing me to then paint the sculpture. I used acrylic paint for this and sealed the paint with clear lacquer.
On the 15th of July 2015 the work, which I called ‘The Child Sculpture’, was then set up outside Loughborough’s Carillon Court Shopping Centre- this is the same site where the first Ladybird Books were printed and published. The following day the sculpture was judged as part of Loughborough’s entry in Britain in Bloom. Since this The Child Sculpture has been in 5 different newspapers (the Loughborough Echo, Leicester Mercury, Crawley News, West Sussex County Times and the Crawley and Horley Observer), on different websites, and I was interviewed by BBC Radio Leicester, which was on the radio on the 28th of July 2015. The Child Sculpture is also expected to be in this month’s Loughborough Community Eye magazine.
It is incredible to see the reactions of the public towards The Child Sculpture, so I’d like to take this opportunity to thank Serco, Charnwood Borough Council, Quadron, Loughborough University, and Peter Beacham- one of the technical tutors at the university- for the opportunity and support.
The photos above show the sculpture when it was in clay, the completed sculpture, and me beside The Child Sculpture.
Thursday, 20 November 2014
Priley Riley, An update on my work, November 2014
In the last couple of weeks
I have visited a number of different galleries in Leicestershire, England,
including Embrace Arts, New Walk Museum and Art Gallery, Silver Arcade, 2
Queens Gallery, LCB Depot’s The New Incunable Print Shop, LCB Depot’s print show
P2P 2014, Phoenix Cinema and Art Centre and PACE at De Montfort University. My
favourite of the gallery visits was LCB Depot’s The New Incunable Print Shop,
where I did a quick drawing of my hand which was 3D printed in front of me! I
applied printing ink over the surface of the 3D printed hand and printed it
onto paper. The 3D print will be used by The New Incunable Print Shop in
posters. Photos of the original drawing, the drawing being 3D printed, the
final 3D print, and the ink print that I did are shown above. I have also been
working on my project on the heart by casting a red heart in resin using a
vinyl/ rubber mould that I made a few weeks ago. Photos of the front and back of the resin heart are shown
below. I have also started to make my own concertina style book, which I will
upload photos of once completed.
Monday, 3 November 2014
Priley Riley, Face casting, October- November 2014
I had my face cast for the first time last Friday. In preparation for it, I covered my face in baby oil and put my hair
into a cap out of the way. My tutor then started applying alginate to my face,
shown in the first two photos. Once the alginate had set, a layer of plaster
was applied over the alginate to make it stronger (see the 3rd photo).
Once the plaster had set, I was able to pull the alginate and plaster layers
off in one go. As you may be able to see from the 4th photo,
however, the alginate cast you take off curves inwards instead of outwards, so
I continued to work on it on Friday by applying plaster to the inside of the
alginate cast. Today, as the plaster that I had laid inside had set, I was able
to carefully separate the final plaster cast, shown in the final 3 photos, from
the alginate one.
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