Monday, 14 March 2016

Priley Riley, Lino Prints, February- March 2016

I’ve recently been producing lino prints. I have 11 prints like the black and white work shown above, as well as 8 prints that are in progress as they are being built up gradually with layers of prints in different colours. I hope to sell these prints at my degree show to raise money for Rainbow Rabbits, which provides care to previously neglected/ sick/ very elderly rabbits. The rabbit depicted in the prints, called Otis, was cared for by Rainbow Rabbits.

Tuesday, 23 February 2016

Priley Riley, An update on my work, February 2016


Since my last post I have been fortunate enough to visit galleries in England, Sweden, Denmark and Italy. In particular, I would recommend Denmark’s National Gallery and Ny Carlsberg Glyptotek, and the Accademia Gallery in Venice, Italy.

In terms of making artwork, I have mainly focused on producing watercolour paintings, such as the one shown below of my dad. In addition, I completed my 9000 word/ 58 page dissertation for my degree last month, which discusses whether art documentation can simultaneously be considered a form of art through artist self-publishing.

My degree show is in June this year, so I have been busy producing artwork and doing a considerable amount of research, mainly into Post-Conceptualism, Hyperrealism and Photorealism, the Renaissance artists, artists that have won major art competitions, and any other areas of art that interest and inspire me. At the moment, my plan for the degree show is to produce and display a variety of drawings, paintings, prints, sculpture, etc. I aim to provide regular updates on my work for the degree show as it progresses, and I will also give other areas of my blog an update.

Finally, I am keeping an eye out for further art competitions to enter.



Saturday, 17 October 2015

Priley Riley, The Ultimate Edible Masterpiece of 2015, October 2015


Last month I entered The Ultimate Edible Masterpiece of 2015, a competition run by the Art Fund. The idea was to re-create a famous work of art using food to raise money for galleries and museums. I chose to make and enter a satsuma version of Michelangelo’s The Creation of Adam (shown in the photo above). I was really happy to receive a phone call from the Art Fund, on the 13th of October, to say that this had been chosen as the winning entry by judges Frances Quinn (Great British Bake Off winner); Rowley Leigh (chef, restaurateur and journalist); and Jonathan Jones (The Guardian's art critic). I’ve added some links below to some wonderful articles on the Art Fund competition so far:

The Art Fund:

The BBC:

The Guardian:

Friday, 11 September 2015

Priley Riley, Update on The Child Sculpture, September 2015


The Child Sculpture was sadly recently vandalised. The book was found cracked around the hands, suggesting someone had tried to get the book out of them. I have therefore spent the last couple of weeks fixing this. I finished work on it today, so The Child Sculpture will be back outside Carillon Court Shopping Centre once the lacquer sealing the paint has properly dried. As the photo shows, the book is much thicker (and stronger) now. Over the last couple of months I have also been working on my dissertation for the next academic year. It is currently 5000 words long and is based on artist self-publishing, as I am interested in self-publishing a book revealing how The Child Sculpture was made.

Sunday, 16 August 2015

Priley Riley, The Child Sculpture, January- July 2015




Shortly after my last post I applied for a commission from Charnwood Borough Council and Quadron to make a public sculpture. This sculpture would celebrate Ladybird Books, which were founded in Loughborough 100 years ago! This commission, sponsored by Serco, was an opportunity available to one Fine Art student at Loughborough University and I was delighted that my proposal was successful in gaining this commission.

My proposed idea was to create a life-size sculpture of a 4 year old child reading a book. I started making the sculpture in January, when I first used a couple of photos of my fiancé aged 4 to study the proportions of a 4 year old. I then constructed an armature (which is like a wire skeleton) and this supported the weight of the child that I then modelled around the armature using clay. Once I was happy with the clay child, I began the casting process, which was a long and quite complex process! I cast the clay child in plaster, making a multi-part plaster waste mould. I then used the plaster moulds to cast resin into and pieced all of the sections back together, resulting in the resin child. Car body filler was then used to make surface corrections before the sculpture was sprayed with primer, allowing me to then paint the sculpture. I used acrylic paint for this and sealed the paint with clear lacquer.

On the 15th of July 2015 the work, which I called ‘The Child Sculpture’, was then set up outside Loughborough’s Carillon Court Shopping Centre- this is the same site where the first Ladybird Books were printed and published. The following day the sculpture was judged as part of Loughborough’s entry in Britain in Bloom. Since this The Child Sculpture has been in 5 different newspapers (the Loughborough Echo, Leicester Mercury, Crawley News, West Sussex County Times and the Crawley and Horley Observer), on different websites, and I was interviewed by BBC Radio Leicester, which was on the radio on the 28th of July 2015. The Child Sculpture is also expected to be in this month’s Loughborough Community Eye magazine.

It is incredible to see the reactions of the public towards The Child Sculpture, so I’d like to take this opportunity to thank Serco, Charnwood Borough Council, Quadron, Loughborough University, and Peter Beacham- one of the technical tutors at the university- for the opportunity and support.

The photos above show the sculpture when it was in clay, the completed sculpture, and me beside The Child Sculpture.

Thursday, 20 November 2014

Priley Riley, An update on my work, November 2014






In the last couple of weeks I have visited a number of different galleries in Leicestershire, England, including Embrace Arts, New Walk Museum and Art Gallery, Silver Arcade, 2 Queens Gallery, LCB Depot’s The New Incunable Print Shop, LCB Depot’s print show P2P 2014, Phoenix Cinema and Art Centre and PACE at De Montfort University. My favourite of the gallery visits was LCB Depot’s The New Incunable Print Shop, where I did a quick drawing of my hand which was 3D printed in front of me! I applied printing ink over the surface of the 3D printed hand and printed it onto paper. The 3D print will be used by The New Incunable Print Shop in posters. Photos of the original drawing, the drawing being 3D printed, the final 3D print, and the ink print that I did are shown above. I have also been working on my project on the heart by casting a red heart in resin using a vinyl/ rubber mould that I made a few weeks ago. Photos of the front and back of the resin heart are shown below. I have also started to make my own concertina style book, which I will upload photos of once completed.



Monday, 3 November 2014

Priley Riley, Face casting, October- November 2014












I had my face cast for the first time last Friday. In preparation for it, I covered my face in baby oil and put my hair into a cap out of the way. My tutor then started applying alginate to my face, shown in the first two photos. Once the alginate had set, a layer of plaster was applied over the alginate to make it stronger (see the 3rd photo). Once the plaster had set, I was able to pull the alginate and plaster layers off in one go. As you may be able to see from the 4th photo, however, the alginate cast you take off curves inwards instead of outwards, so I continued to work on it on Friday by applying plaster to the inside of the alginate cast. Today, as the plaster that I had laid inside had set, I was able to carefully separate the final plaster cast, shown in the final 3 photos, from the alginate one.